Designing the room, not decorating it.
A reception is a room. Florals are how the room is built — not how it is dressed.
Most florists arrive after the room is planned and place flowers into it. The studio works the other way — the floral language is decided first, and the room is composed around it.
The tablescape, the suspended installation, the aisle, the lounge corner, the bar — all of it is designed as one piece, in one palette, with one rhythm. The day reads as a single editorial, not as a collection of decorations.
Every image on this page is from a real Phuket wedding designed and installed personally by Supparin and the studio team.
What defines decoration, here.
Four decisions that turn flowers into a designed room.
- 01
One language across the day
Ceremony arch, aisle, bouquet, tablescape and suspended install all draw from the same palette and stem list. The room never feels assembled from separate suppliers.
- 02
Scaled to the architecture
A long teak table on a villa terrace, a low banquet under a sala, a beach long-table at sunset — each is read for ceiling height, sightlines and table width before any centrepiece is composed.
- 03
Designed for the photograph
Decor is built so it photographs the way the couple will remember it — uncluttered above the eye line, layered at the table, with negative space where guests sit.
- 04
Engineered to last the evening
Suspended installs are rigged, tablescapes are conditioned for 30°C, candles and ribbon are tested against breeze. The room still reads at midnight as it did at golden hour.
The table is the centrepiece.
Long-table receptions are designed across the full length — a continuous, low garland of stems and candles rather than separate arrangements set down at intervals.
Centrepieces are kept below the eye line so guests can see across the table and talk. Height is added with candle taper and the suspended install above, never on the table itself.
The ceiling is part of the room.
A suspended floral installation does more work than any centrepiece can. It draws the reception into a single defined space, frames the long-table from above, and is the one piece every guest looks up at.
Installations are engineered before they are decorated — load-rated rigging, conditioned stems, balanced weight along the structure — so they hang correctly for the full evening regardless of breeze or humidity.
This is the part of the room where florists and event production overlap. The studio handles both.
The aisle is the first half of the same sentence the tablescape finishes. Same palette, same stems, same rhythm — so guests move from ceremony to reception without ever feeling they have walked into a different wedding.
What we ask before designing a room.
- What is the venue?
- Villa terrace, beach long-table, sala, hotel ballroom — each room has its own ceiling, sightlines and breeze. The decor is composed for that room before any flower is chosen.
- How many guests, what shape?
- One long table for 40, eight rounds for 80, or a banquet for 200 are three different design problems. Table count and table shape change everything about the centrepiece system.
- Where will the photographs be taken?
- Sunset, suspended install, lounge corner, bar — the studio identifies the two or three frames the couple will keep and designs those moments first.
- Is the ceremony in the same place?
- If so, the aisle florals can be re-purposed onto the reception tables or up into the suspended install — saving budget without thinning the room.
- What is the palette across the day?
- Bouquets, aisle, table, suspended install and lounge are all drawn from one palette. We decide it together before ordering a single stem.
- What is the realistic budget?
- Decorations are the largest floral line on a wedding. We discuss real Thai-baht ranges early so the design is composed within the budget — never above it and then trimmed.
Real ranges for real rooms.
Reception florals are quoted per piece and per room — never as a single fixed package. Indicative Thai-baht ranges, drawn from real Phuket weddings completed by the studio.
- Low centrepieces · per table
- THB 3,500 – 12,000
- Long-table garland · per metre
- THB 6,000 – 18,000
- Aisle markers & pedestals
- THB 8,000 – 35,000
- Suspended installation
- THB 60,000 – 250,000+
- Lounge & bar moments
- THB 6,000 – 40,000
- Full reception design
- THB 80,000 – 450,000+
Final quote depends on venue, guest count, palette and the stems specified.
Supparin designs and installs the room herself.
Reception decor is led personally by Supparin — palette, installation rigging, table system and on-the-day install. The studio team works under her direction; there is no subcontracting and no agency layer.
Over a decade of Phuket weddings means most venue rooms in this guide have been designed by the studio more than once — the studio already knows what works in that space.
Other floral directions.
Begin with the room you have in mind.
Share your venue, date, guest count and a sense of palette. The studio responds personally with a design direction and an honest range — never a templated quote.